Wednesday, May 12, 2010

so, once again, the long lost writings... strange how easy it is to get away from the word these days. i remember the room in harlem where i would start the days with 4 or 5 hours of writing. i guess that energy is elsewhere, for good or ill... it has been a time of art, confusion, fun, energy, travel, pain, etc. basically- life. fair enough...

* chelsea has been a madhouse. the streets packed with the real and the hopefuls, the wasted and the sad, the rich and the wish they were. there has been some strong painting out there- most notably the donald baechelor show a month or 2 back at cheim reade. just a truely incredible scene, to start with, not to mention the fact that, to my eye, this was the best work of his career. it must be easy to get complacent at a certain point for an artist of success and wealth. it could, perhaps, be inevitable. but here, baechelor laid it out and got down... the familiar motifs were there-- the beach ball, the flower, but it was the handling of the paint that mattered most. that and the beautiful detritus of a ground of drop clothes. my god, yes. there are shows that make you proud to be in this game-- this was one of them. no doubt... no doubt at all.

* another big point in the recent scene was jay kelly at jim kempner fine art. kelly's last few shows have been stellar and then, last year, he added sculpture to the mix and brought things to another level. kelly's work has been based on a tough, rugged line, a sense of material and fine taste in what is before him. with the sculptural work, this holds true, but comes around a corner in the beautiful way he brings his vision to the 3rd dimension in a seamless transition.

* and then there is the paige williams piece i actually purchased, from her show at blank space: great color, great line... and i can't wait to hang it. when i saw it, there was that shock that you rarely get, but always hope for.

* a thought i've been thinking: at what point did the handling of paint, or, indeed, the application of paint (or medium) become (almost) more important than the composition of a painting?? is this even accurate? relevant?

* finishing a commissioned painting for the DC Four Seasons Hotel. they also bought 2 drawings... this is, obviously, a good thing. at the same time, trying to nail down a few new pieces for the san francisco fine art fair, once again, graciously, with andi campognone projects. these are the times that come far too infrequently, and yet, when they do, it's so hard to enjoy them, given the reality of trying to make it happen.

that could be the real challenge-- to find that space, that moment to relish being an artist.

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