a good night of paint behind me... readying a few pieces for the show next week and made the first moves on the diptych (48x77"). quite a few moves, as a matter of fact. god bless acrylics.
indeed... so, i've made this decision (again) to go with the size, scale and volume that most interests me-- i'm going big. why not? not to wax too completely old school NYC AB-EX, but why not? for me, now, this seems the logical step. coming off a year of strong sales and some great shows-- why not? in spite of, or, indeed, because of, fatherhood, the past few months have been hugely and profoundly creative (i say that beneath the irony of suffering my first ever "writers block".)... my time in the studio is solid, consistent in intensity and, at the very least, productive. the gesture is continuing to drive the work and my energy and that gesture, i find, needs space. and my arm needs space and my eye needs that same space... and?? well, yeah, this diptych started tonight and brought to a fucking beautiful place in development. there are moments when the brush moves and the paint is going on and on and it all works. all of it. and you rub some out and wipe out a bit and lay more paint on or maybe not and just look at the bloody thing and gasp at the wonder of it all-- this time of putting shit on canvas (or paper) and getting off so heavy- so heavy... and it works. the parts of the whole slide together and mesh and you have the basis for a serious, integrated painting.
a work of art...
my god, how wonderful.
Friday, May 11, 2012
Monday, May 7, 2012
the late night... night and the baby is asleep
after kicking my ass for a day and into the night--
this night, this late night. so much magic in the company
of 10 month old child. a 10 month old human being.
the delight is in the newly discovered child within--
sharing her wonder her glee her questions...
i've written that becoming a parent creates
the means towards becoming a more evolved person,
a more evolved whole. so true (to my experience...).
fatherhood has softened a lot of sharp corners
and dulled the edge of a blade best kept sheathed.
no wasted time...
no wasted time.
after kicking my ass for a day and into the night--
this night, this late night. so much magic in the company
of 10 month old child. a 10 month old human being.
the delight is in the newly discovered child within--
sharing her wonder her glee her questions...
i've written that becoming a parent creates
the means towards becoming a more evolved person,
a more evolved whole. so true (to my experience...).
fatherhood has softened a lot of sharp corners
and dulled the edge of a blade best kept sheathed.
no wasted time...
no wasted time.
Thursday, May 3, 2012
not sure what to write and sitting looking at old paintings of mine that hang above this table. a still-life in front of me of apples, pears and 2 bananas and a few limes... organic "puffs" for the baby and a sippy cup next to my camouflage cap; and an empty glass that should have vodka in it and might very soon.
there are periods of life that go so fast and so full that you can't catch a moment to figure out yesterday from today. it's been like that of late-- going and moving and making art and not sleeping and taking care of the awesome baby and trying to keep healthy and maybe sane...fun times. no doubt.
* 10 days or so on the west coast was beautiful and necessary-- grandparents, sun (and rain), the pool the grill and the little studio under the orange tree. working hours in the morning and then back at it after dinner, late into the night or early morning. tones of gray, or grey... somber, maybe sad. buoyant, but some sense of shadow and a tragic lost dream... maybe not-- who knows? 3 pieces (60x48) that have been worked and re-worked for close to 6 years. and now? well, they look good to me. is that enough? yeah, i'd say it is...
there are periods of life that go so fast and so full that you can't catch a moment to figure out yesterday from today. it's been like that of late-- going and moving and making art and not sleeping and taking care of the awesome baby and trying to keep healthy and maybe sane...fun times. no doubt.
* 10 days or so on the west coast was beautiful and necessary-- grandparents, sun (and rain), the pool the grill and the little studio under the orange tree. working hours in the morning and then back at it after dinner, late into the night or early morning. tones of gray, or grey... somber, maybe sad. buoyant, but some sense of shadow and a tragic lost dream... maybe not-- who knows? 3 pieces (60x48) that have been worked and re-worked for close to 6 years. and now? well, they look good to me. is that enough? yeah, i'd say it is...
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