a good night of paint behind me... readying a few pieces for the show next week and made the first moves  on the diptych (48x77"). quite a few moves, as a matter of fact. god bless acrylics.

indeed... so, i've made this decision (again) to go with the size, scale and volume that most interests me-- i'm going big. why not? not to wax too completely old school NYC AB-EX, but why not? for me, now, this seems the logical step. coming off a year of strong sales and some great shows-- why not? in spite of, or, indeed, because of, fatherhood, the past few months have been hugely and profoundly creative (i say that beneath the irony of suffering my first ever "writers block".)... my time in the studio is solid, consistent in intensity and, at the very least, productive. the gesture is continuing to drive the work and my energy and that gesture, i find, needs space. and my arm needs space and my eye needs that same space... and?? well, yeah, this diptych started tonight and brought to a fucking beautiful place in development. there are moments when the brush moves and the paint is going on and on and it all works. all of it. and you rub some out and wipe out a bit and lay more paint on or maybe not and just look at the bloody thing and gasp at the wonder of it all-- this time of putting shit on canvas (or paper) and getting off so heavy- so heavy... and it works. the parts of the whole slide together and mesh and you have the basis for a serious, integrated painting.

a work of art...

my god, how wonderful.

the late night... night and the baby is asleep
after kicking my ass for a day and into the night--
this night, this late night. so much magic in the company
of 10 month old child. a 10 month old human being.
the delight is in the newly discovered child within--
sharing her wonder her glee her questions...

i've written that becoming a parent creates
the means towards becoming a more evolved person,
a more evolved whole. so true (to my experience...).
fatherhood has softened a lot of sharp corners
and dulled the edge of a blade best kept sheathed.
no wasted time...

no wasted time.

not sure what to write and sitting looking at old paintings of mine that hang above this table. a still-life in front of me of apples, pears and 2 bananas and a few limes... organic "puffs" for the baby and a sippy cup next to my camouflage cap; and an empty glass that should have vodka in it and might very soon.

there are periods of life that go so fast and so full that you can't catch a moment to figure out yesterday from today. it's been like that of late-- going and moving and making art and not sleeping and taking care of the awesome baby and trying to keep healthy and maybe sane...fun times. no doubt.

* 10 days or so on the west coast was beautiful and necessary-- grandparents, sun (and rain), the pool the grill and the little studio under the orange tree. working hours in the morning and then back at it after dinner, late into the night or early morning. tones of gray, or grey... somber, maybe sad. buoyant, but some sense of shadow and a tragic lost dream... maybe not-- who knows? 3 pieces (60x48) that have been worked and re-worked for close to 6 years. and now? well, they look good to me. is that enough? yeah, i'd say it is...

* giving rest to the thoughts of shitty art... giving rest. looks like i'll have missed out on the whole Armory scene. fair enough... everyone bitches about the big fairs, but (if lucky) there is the chance to see museum quality offerings up close and personal. it's the $$$$ that they bitch about-- the evil collectors and the young and shitty fresh out from CalArts or who cares(?)...

well, yeah, i get it. but that has so little, if anything,

to do with the working and breathing world of ART--

as opposed to the ARTWORLD.

the internet posts get very very righteous

regarding the collecting of art for investment. fuck it...

it happens, it's a part of the part of the whole and it means nothing.

period. it means nothing.

the people that have laid down good coin

for my work have done so with purpose-

aesthetic, romantic, whatever-- they liked the work.

they wanted to live with the work.

just as there are artists making real work-

believing in beauty and history and meaning

and trying to convey all of that in paint, on canvas--

there are the patrons- the collectors who share the same dream.

they want beauty and history and meaning

and they want to live with it. they want the passion

of a whacked out man or woman to share their space and their lives--

their oatmeal in the morning; their lunch;

their cognac and old book, so late at night.

and that reality

creates another kind of beauty.

* parenthood...cliches and stereotypes are great simply because of the inherent truth within... thats how they exist-- they were born from the truth we either talk about or sweep away with shame, or denial.

"it changes your life..."

i heard that shit so many times. well, yeah, i guess it does.

and yes, it does fuckin change your life. but i'm not talking about lost sleep and changing diapers, as opposed to bar crawling and shooting heroin--

i'm talking about ACTUALLY CHANGING YOUR LIFE--

you change, you evolve to a level closer to where we SHOULD BE

as intelligent, caring human beings.

just as smoking weed enhances the grace of activity--

be it food, sex, nature, music, art, what have you--

becoming a parent enhances the world around you

and your RELATIONSHIP to that world.

YOU SUDDENLY CARE MORE. YOU FEEL MORE.

YOU MAY CRY MORE- BUT FOR ALL THE BEST REASONS...

years ago i wrote (referencing my own debauched practices),

"...our suicides are slow and painfully accurate."

i firmly believe that the seekers

and the wanderers engage in a drawn out, lessened method of self destruction.

it's not the shotgun in the mouth or the handful of pills--

it's night in and night out and the fun and sin

and questions,

and body odors and new beds and old streets

you have no business being on...

all of it takes you on and on

and gives you one more excuse to do

whatever it is that is so slowly and patiently taking you out.

i became a father to a wonderful, spiritual daughter--

at 8 months, she is a young lady of power and wit

and a certain, ill-gotten, albeit poetic, aggression...

i will say- flat out-- that i FEEL MORE

and indeed, KNOW MORE,

now with her guiding my way

through this sloppy,

glorious world.

she has changed my life.

and now i will try to live up to that gift.

somehow...

so, yeah, the Whitney... i can't help myself. haven't been, might not go at all.

in fact, if my shadow crosses the door i'll be very very surprised.

but beyond THIS Whitney, beyond this year,

what is the point of so much of the "art" being made?

well, i'd say there really isn't a point or a direction--

it's simply an exercise of ease and a gross, fashionably shoddy, inauthenticity.

its the inauthenticity of mustaches on bedford;

the false pretense of shitty photography and incoherent videos--

the fat chick in the miniskirt

with the brass nose ring and the MFA.

it's easy to be ironic.

easy to pose. easy not to make anything...

easy to pick through the shit in the news.

easy to watch TV.

easy to write about yourself.

hell, i do it all the time.

sincerity went out the window and romance tagged along...

and in the end, i'm ok with that.

you can't fight history, or the reality around you.

you don't have to like it.

and you surely don't have to accept it.

but you need to understand it.

and then get back to work.

and get your hands dirty.

and re-work that great idea that,

wasn't so great to begin with.

sometime around the late '60's, it became ok to be lazy...

warhol, hippies, who knows?

but around that time, sincerity went out the window

and romance followed close behind.

* i've decided that i will not go into the Whitney debacle any further...

why? well, why the fuck not?

suffice to say that i'm in as good a place vibe-wise

and emotionally as ever-- great wife, awesome, brilliant baby,

making my own shit as good as i can. why should i bother with the negative?

why indeed?

well, it could be said that there should be someone

taking the fools to task for what has happened to culture.

maybe. maybe not... it won't do anything of note--

preaching to the choir is about as productive

as that afternoon nap i never get...

there is a shameless ease to the "work" of this ilk...

but thats so horribly obvious.

yeah, i might pop in as a "performance" myself.

but i doubt it... life is too short.

and life is way too fine to waste it on such rubbish.

* so a body of work completed. my photographer

(PJ Valentini, awesome talent, if you're in NYC contact me and i can set this shit up...)

comes friday to shoot. and then there will be the emails and the attachments

etc, etc... thats cool-- i've held up my end of the bargain.

the challenge of late has been to get away

from the constant refining and cleaning up of image.

to let things rest a bit- maybe give away some of the control

that may or may not have worked over the years.

for so long my art was a war and struggle

of the most ominous intent.

now that life is so joyous

perhaps the art should be as well?

i've no answers. just questions.

and i'm not even asking myself.

i'm showing up to do the work

and with a little grace and love

maybe something will come of it.

and if not?

fuck it...

* 57 degrees in NYC and i kicked ass in the studio again... yeah.

what to say? within the madness of fatherhood, trying to get my workouts in,

cooking dinner, trying to read, trying to live- i'm at this incredible creative peak.

the paint is just going down strong..

this could all come down to shit

if nothing sells or the dealers decide i suck, etc, etc...

but for now-- alone, in the studio, working honestly

and (i hate to say it) happily,

none of that matters. nothing outside the space

of my old candy factory studio amounts to anything

more than some dream that hasn't come around yet.

this is the strange port between sales and shows

where paintings are there and you look at them and feel one way or another

but these all feel so good. so good... and yes, no wasted time.

the guitar has long gathered dust.

and color... why not?

* the Whitney reviews are starting to come out.

and? R. Smith went on and on- this biennial is so different,

so new, so.... bullshit. it's the same performance

and the same video and the same dance

and the same feeling of nothing. nothing...

it seems there is a dance piece taking up the largest space in the museum

(that makes sense...). a woman wears a horse head (mask).

i'm feeling it...

2 women are moving their apartments into the show.

their clothes, life, etc...

yeah... why? well, because it's easier than making art.

it leaves more time to- well, not make art.

brilliant...